I’m a Production Designer and CG Supervisor who likes working at the center of story, design, and tech. I’ve spent most of my career inside art departments, helping directors, DPs, and VFX teams understand the world early; what needs to be built, what can be digital, and how to make both feel grounded and cinematic.

I came up through set design, visualization, game cinematics, virtual production, and VFX, on many films and tv shows, which put me in the middle of creative and technical teams. I’ve gotten used to jumping into a script, breaking it down into practical techniques, and visualizing scenes quickly in real time so filmmakers can see the story long before anyone spends big money.

I think like a designer but I work like a producer, so I’m always trying to make sure the assets we create in pre-production carry forward into production and post. It helps teams avoid “building it three times” and keeps the final image tied to the story. Whether I’m shaping worlds and characters, supervising CG, or planning strategy for a production, I try to keep things clear, collaborative, and built around workflows that protect both the vision and the budget.

People tend to say I’m someone who actually enjoys complex challenges, and that I’m solutions-minded. I try to help creatives understand new tools without losing the human part of storytelling — and I bring just enough strategy to keep teams moving toward the same final image.